Katedra výchovné dramatiky


CREATIVE DRAMA - Journal on Drama Education, Literature and Theatre for Children and Youth



Eva Machková: History of Drama in Education in the Outline (3rd Part) – The last part of the historical outline focuses on drama education in English-speaking countries from the beginning of the 20th century up to the present time. It discusses the most important trends and concepts of drama education in the USA and the United Kingdom. Besides Winifred Ward, the author mentions the following personalities and their work: Geraldine Brain Siks, Ruth Beall Heinig, Nellie McCaslin and Viola Spolin from the United States, and Peter Slade, Brian Way, Gavin Bolton, Dorothy Heathcote, Cecily O’Neill, Jonothan Neelands and Judith Ackroyd from the UK.

Jaroslav Provazník: Eva Machková – The author of a study on the history of drama, which was published this year in the supplement of the journal Tvořivá dramatika (Creative Drama), is the key personality of the Czech drama education. Jaroslav Provazník summarizes her activities since the 1960s when she started to lay the foundations of modern drama education in the Czech Republic. At that time she began to publish the magazine Divadelní výchova (Theatre Education) and organize workshops and seminars for heads of children’s theatre groups and drama teachers. In the 1970s she established a tradition of national festivals of children's theatre held up to the present time under the name of Children's Stage, and has also written numerous books and articles on drama education and theatre for children and youth. In 1992 she founded the Department of Drama in Education at the Theatre Faculty in Prague where she still teaches.



Eva Machková: What is Theatre in Education and What Is It Good for? – In her article, the author characterises the main features of T. I. E. as a specific type of a participation theatre, illustrating it by several examples of Czech theatre groups who offer these kinds of productions. She mentions the DIVADELTA group who mainly explore the method of Forum Theatre. In their repertoire, they deal with issues such as aggression, bullying, xenophobia, gambling, eating disorders, old age or dying. They also seek ways to enhance inter-generation communication, safe use of the internet and financial literacy. Another type of T. I. E. focusing on educational aspects is used and developed by the SPOLUPOSPOLU group. It is based on quality literature for children and its dramatisations, which enables the participants to explore more complex and deeper themes, not necessarily limiting their focus on one specific situation or problem. Yet another type of T. I. E. activity is represented by the Prague-based DIVADLO BOŘIVOJ whose members strive to present and discuss curriculum topics (e.g. those from the subject of history) by expanding and perceiving them from the viewpoint of “everyday history” as opposed to the “great history” that deals with broader political connections and events.


Nicola Abraham: Marginalised Youth in the App Generation: Making the case for the integration of digital technologies in Process Drama – This paper intends to argue that the introduction of digital technology into Process Drama is not an attempt to replace the imaginative realm of play. Instead digital technologies can aid immersion into the liminal space of a workshop. The App Generation, Generation Z, or the ‘post-millenials’ form a new community of young people who are digitally literate, who have grown up surrounded by technology that they have learnt to engage with as part of their development: Technology is a new instrument of play. The intention of this research is to present an argument for the effectual integration of technology into Process Drama to revive and update the approach. The intention is to engage participants in an experience that speaks to their own worlds. In her article, the author draws upon a project she undertook in a primary school with six 8-9-year old children.

Pavel Vágai: Fighting Prejudice and Fear Together with Nicola Abraham – A participant of the workshop given by the drama teacher from the Royal Central School of Speech and Drama, London University, UK, provides a detailed report of the event that took place within the national Drama in School workshop held for the 20th time in the East-Bohemian town of Jičín.


Jaroslav Provazník: Walking Through the Unsightly Landscape of Czech Magazines for Children and YouthTvořivá dramatika decided to pay attention not only to new books and performances for children and youth, but also look at the magazines offered to this target group. The author of the article outlines the overall picture of the market, assessing its state as rather dismal. He observes that unlike the book production, the offer of magazines aimed at children and youth in the past two decades consists predominantly of commercial and garish periodicals. Among the very few exceptions of quality children’s magazines that have appeared within the last twenty years, he especially appreciates the quarterly Raketa.

Kristina Procházková: Three, two, one, launch – Rocket flies! – A review of the Raketa (Rocket), a new magazine for children and youth, exceptional in its quality.

Kristýna Plíhalová: Čtyřlístek: Quality Gone Stale – A reflection on a traditional comics magazine for children that has been published since the 1960s. The author claims in her article that this still popular magazine has been stagnating in the past few years.

Marta Žilková: Children’s Magazines in Slovakia – A study on magazines for children and youth in Slovakia. Besides purely commercial titles, the author points out the Slniečko magazine that has maintained its high literary and visual standards for many decades.

Luděk Korbel- Lucie Šmejkalová-Klára Fidlerová-Kristýna Plíhalová-Michaela Lažanová: Reviews of new books for children and youth – Reviews of new books for children that might inspire drama teachers and leaders of children’s theatre groups.


Irena Konývková: Útěk – The present text supplement offers the script to a performance inspired by the remarkable psychological novelette by Ota Hofman. The performance of the HOP-HOP group from Ostrov (Western Bohemia) was awarded a price at the festival of basic schools of arts held in Litvínov from 2–5 June 2016 and was also presented at the Children’s Stage national festival in Svitavy on 14 June 2016. Ivana Konývková, the leader of the group and author of the dramatisation, has accompanied the script by numerous methodological and dramaturgical notes explaining how this performance featuring only two actors came into being.

The contents of all published issues of Tvořivá dramatika, the archive of earlier issues and all important information on drama education can be found on the website www.drama.cz.